I can still remember the
silence of my 3rd grade classroom as I looked around the room
during Writer’s Workshop. I always had too many ideas or absolutely no idea
what to write about. I often needed teacher or peer support during the
planning/brainstorming process. I think it was due to my lack of confidence. My
elementary school years were very awkward years. The Harry Potter glasses did
not help. During my K-12 instruction, I was exposed to Writer’s
Workshop Kindergarten thru 8th grade. Writer’s Workshop
seemed to “die off” in my ELA classes by 9th grade when we
started reading Shakespeare. Writer’s Workshop instruction from K-8 always
included independent writing, sharing, minilessons, and read alouds. The amount
of sharing during Writer’s Workshop decreased as I got older and I really wish that
wasn’t the case. The sharing aspect of Writer’s Workshop always helped my
confidence in my writing abilities. The focus on celebrating completed writing
projects, not on revising the compositions to make them better made all of the
difference (Tompkins p. 19).
During my second year of
teaching, I sat among my colleagues for a professional development opportunity
titled “Lucy Calkin’s Writer’s Workshop.” I remember sitting in this conference
and making constant connections with my own K-12 learning experiences. My own
childhood experiences in Writer’s Workshop made implementation easier as a
teacher. During the PD, we were allocated a budget of $150 to purchase Writer’s
Workshop supplies. My school district agreed with Tompkins (2016), arranging a
classroom for Writer’s Workshop activities is essential during the
implementation process. I purchased an easel and Mr. Sketch scented chart
markers so I could create anchor charts for every mini lesson. After creation,
I would hang them around the room as a visual resource for students that used
to get stuck like me. I also purchased a Writer’s Workshop supply station and
indicated that it was for student use only. This wooden countertop shelving
unit was the home of their Writer’s Workshop Folders. These folders consisted
of 3 pocket folders glued together with 6 pockets. Pockets within the folders
were labeled in sequence- prewrite, draft, revise, edit, publish, on hold. I
designed folders this way so students could physically move a piece of writing
through the writing process. Students were always so proud when they were able
to put their first piece into the publish pocket. These folders helped with
organization and independence during independent writing time so I could
conference with students. Hattie (2009) indicated that feedback as one of the
two most effective methods for accelerating learning. With a class of no more
than 6 students in my special education classroom, teacher-student conferences
were happening often. Each child sat with me a few times a week and it showed
in their writing. No “Writer’s Workshop Student Only Supply Station” is
complete without some fancy office supplies. Sometimes some special ink gel
pens and clickable highlighters is all a student needs to get into the writing
process. My favorite addition to my Writer’s Workshop classroom upgrade was the
addition of an Author’s chair at the front of my classroom. The antique hand
painted chair provided an opportunity for students to share their personal
writings and celebrate the writing process with their peers. One thing that my
Writer’s Workshop lacked was protected time to write. Caulkins and Ehrenworth
(2016) state that an ideal Writer’s Workshop includes 10 minutes of whole class
instruction, followed by at least a half hour for writing time, and ending with
5-10 minutes for sharing/goal setting. My ELA block was only 36 minutes and my
students often struggled with transitions/disruptive behavior. I had to
designate a day for each of those steps.
The next time I
implement Writer’s Workshop it will include all of Caulkins and
Ehrenworth’s three elements of good writing
instruction: protected time to write, choice over their topics, and response
from a community of writers.
References
Calkins, L. & Ehrenworth, M. (2016). Growing
extraordinary writers: Leadership decisions to raise the level of
writing across a school and a district. The Reading Teacher, 70 (1),
7-18.
Wow! How lucky were you, Ashley! Lucy Caulkin's work is certainly a foundational framework for the types of reading and writing experiences that Tompkins describes for us. I look forward to hearing more about how you might consider using Tompkins instructional strategies with students you are working with now or those you might work with in the future.
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